The other day I had a chance to acquire
Little Miss Sunshine but, not having heard or read anything about it, I declined. Then it arrived in the mail, courtesy of Netflix, on the same day that a longtime
Filmfun friend happened to mention it. That night I resigned myself to sitting through what promised to be an irritating movie. I was never so glad to be so wrong.
The title promises something along the lines of those irritating JonBenet-style contests, but this road trip film is actually a wonderful skewering of that reprehensible genre and competition. The casting of Alan Arkin, Greg Kinnear, and Toni Collette would have tipped me off, had I paid initial attention. Their presence perked me up as the opening scenes unfolded.
What I found particularly interesting was Collette's (relatively) unusual turn as the emotional anchor around which three flailing males revolve, a nice change from the drowning female I have more frequently seen her portray. I spent the whole movie waiting for her character to fall apart; I was ultimately pleasantly disappointed.
Greg Kinnear is an actor I have enjoyed for a very long time. I consider him to be intelligent and talented in many ways, a rarity in these days of mere celebrity. To see him playing shallow and substance-free was, again, an interesting turn. I found his epiphany believable.
Alan Arkin I have enjoyed since I first saw him in
Freebie and the Bean. He has a way of delivering outrageous lines that tickles me immensely. While some may find his character's demise both unexpected and implausible, I see it as very much in keeping with the narrative's persistent skewering of Kinnear's character's "9 Steps" nonsense. Life is, after all, unpredictable, not something absolutely controllable. Despite a person's best efforts, loss does occur, but it doesn't necessarily make a person a Loser. Along those lines, losing can be a source of subsequent humorous situations, especially if one has a proper appreciation of irony.
Steve Carell, who I have primarily seen playing an idiot, takes a beautifully subdued and understated turn as a gay Proust scholar on the comeback trail from a broken heart and a failed suicide attempt - nothing like a double failure to fuel a character's background... I particularly appreciate that his chin doesn't drag (no pun intended) through the whole film.
Paul Dano doesn't have many lines, but he holds up well enough in some pretty heady company in this cast. Sure, he gets away with pouting a bit much, but as Carell's character says, he's not as unintelligent as he looks...
Abigail Breslin didn't make much of an impression on me as she trotted down the Golden Globes Red Carpet, but then, who does? Her performance in the film is another matter. Behind those coke bottle glasses lurks a young girl able to exude confidence and vulnerability well enough for this role. One can only hope that she gets the message of the film and not the industry as she continues to mature.
Of course, one can question just what the film intends in her case, but still...
A fun, thoroughly delightful film that I found continually causing me to catch myself in startled amusement - I highly recommend it, though I wouldn't necessarily call it the absolute best of the year. Suffice it to say, this is a film worth seeing. (Look past the obvious gags.)